Pat Lipsky

Lipsky1

Photo courtesy: Stephanie Cassidy 

PAT LIPSKY
(1941 – )

EDUCATION
M.F.A. Hunter College, New York, NY

B.F.A. Cornell University, Ithaca, NY

SOLO EXHIBITIONS
2015      Pat Lipsky: Twenty Years, ACME Fine Art, Boston, MA

2006      Color Paintings, Elizabeth Harris Gallery, New York, NY

2006      Les Vitraux, The Church Cathedral of St John the Divine, New York, NY

2005      New Monotypes, Aurobora Press, San Francisco, CA, 2005

2004      Elizabeth Harris Gallery, New York, NY

2003      Elizabeth Harris Gallery, New York, NY

2003      L.I.C.K. Ltd. Fine Art, Long Island City, NY

2002      Les Vitraux, Galerie Piltzer, Compagne, Barbizon, France

2001      Elizabeth Harris Gallery, New York, NY

1999      Elizabeth Harris Gallery, New York, NY

1999      The Kitchen, New York, NY

1997      Lori Bookstein Fine Art, New York, NY

1994      Virginia Miller Gallery, Coral Gables, FL

1991      Andre Zarre Gallery, New York, NY

1989      Slater-Price Fine Arts, New York, NY

1988      Gloria Luria Gallery, Bay Harbor Island, FL

1987      Promenade Gallery, Hartford, CT

1978      Medici-Berenson Gallery, Bay Harbor Island, FL

1978      Andre Zarre Gallery, New York, NY

1976      Berenson Gallery, Bay Harbor Island, FL

1976      Deitcher OReilly Gallery, New York, NY

1975      Andre Emmerich Gallery, New York, NY

1974      Andre Emmerich Gallery, New York, NY

1974      Berenson Gallery, Bay Harbor Island, FL

1972      Andre Emmerich Gallery, New York, NY

1971      Everson Museum of Art, Syracuse, NY

1971      London Arts Gallery, Detroit, MI

1970      Andre Emmerich Gallery, New York, NY

1968      Farleigh Dickinson University, Rutherford, NJ

SELECTED GROUP EXHIBITIONS
2014      Cadence, Margaret Thatcher Projects, New York, NY

2012      Hanji Metamorphoses, High Line Gallery, New York, NY

2011      Art in Embassies, The Hague, OPCW, The Hague, Netherlands

2011      Never the Same Twice, DC Moore Gallery, New York, NY

2010      Instructors Group Show, The Art Students League of New York, New York, NY

2010      Aurobora Press, Ideal Forms Summer Select, San Francisco, CA

2009      The Print Gallery, Annual Exhibition, Philadelphia Eagles at Lincoln Field,
Philadelphia, PA

2009      Expanding Boundaries: Lyrical Abstraction: Selections from the Permanent Collection, Boca Raton Museum of Art, Boca Raton, FL

2009      Gallery Selections, Spanierman Modern, New York, NY

2008      The 183rd Annual Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY

2008      No Chromophobia, OK Harris, New York, NY

2007      The Other Half, Women in the Collection, Boca Raton Museum of Art,
Boca Raton, FL

2007      Paintings of Color, Tribes Gallery, New York, NY

2006      Neoplastic Redux, Elizabeth Harris Gallery, New York, NY

2005      Master Prints by 44 Artists, Art Gallery, Univ. of Colorado at Denver, CO

2005      American Embassy, Sarajevo, Bosnia

2004      The Art of the Definite, DC Moore Gallery, New York, NY

2003      Holiday Group Show, Ruth Bachofner Gallery, Santa Monica, CA

2003     The Print Fair, Seventh Regiment Armory, New York, NY

2001       American Academy of Arts & Letters Ceremonial Exhibition of Prize Winners, New York, NY

2001       American Academy of Arts & Letters Invitational Exhibition of Painting & Sculpture, New York, NY

1998       A Year in the Life of Modernism, Tribe Gallery, New York, NY

1997       Arbus to Zynsky, Norton Museum of Art, Palm Beach, FL

1997       Selections from Twentieth Century Modernism, Lori Bookstein Fine Art, New York, NY

1996       Small Gems, Tribe Gallery, New York, NY

1996       Affinities, Snyder Fine Arts, New York, NY

1996       Sixteen by One, Gallery One, Toronto, Canada

1995       In Small Dimension, Andre Zarre Gallery, New York, NY

1994       Summer Show, CS Schulte Gallery, Millburn, NJ

1994       Ambassadors Choice, State Department, Mexico City, Mexico

1993       Directors Choice, Virginia Miller Gallery

1993       Group Show, Galerie Denise Rene, Paris, France

1993       Some Important Works, CS Schulte Gallery, Millburn, NJ

1992       Celebrating Formalism, CS Schulte Galleries, Millburn, NJ

1992       Three from New York, Gloria Luria Gallery, Miami, FL

1991       Ernesto Mayans Gallery, Santa Fe, New Mexico

1990       Andre Zarre Gallery, New York, NY

1988       Summer Show, Ruth Siegel Gallery, New York, NY

1988       Interior Visions, Herbert F. Johnson Museum, Ithaca, NY

1988       Lillian Heidenberg Gallery, New York, NY

1987       Still Life Painting, University of Massachusetts, Amherst, MA

1987       Vistas, G.W. Einstein Gallery, New York, NY

1986       New Solutions, Gloria Luria Gallery, Bay Harbor Island, FL

1986       Five Galleries at the Aetna Institute, Hartford, CT

1985       Andre Zarre Gallery, New York, NY

1983       Women in the Collection, Herbert F. Johnson Museum, Ithaca, NY

1983       Pat Sutton, Peter Reginato, Jane Love Gallery, Salisbury, CT

1979       Sarah Rentschler Gallery, New York, NY

1978       Sketch-Books and Preparatory Drawings, Miami Dade Jr. College, Miami, FL

1977       Invitational Painting Exhibition, Moravian College Art Gallery, Bethlehem, PA

1976       25 American Artists, Andre Zarre Gallery, New York, NY

1976       Invitational Painting Exhibit, Skidmore College Gallery, Saratoga, NY

1974       Opening exhibition, Hirshhorn Museum and Sculpture Garden, Washington, D.C.

1974       Art in Public Places, The Toledo Museum of Art, Toledo, OH

1974       Faculty Show, San Francisco Art Institute, San Francisco, CA

1974       Ten Years, Larry Aldrich Museum, Ridgefield, CT

1974       Waves, Grand Rapids Art Museum, Grand Rapids, MI

1973       Images of Movement, Stamford Museum and Nature Center, Stamford, CT

1973       Waves, Cranbrook Academy of Art Museum, Bloomfield Hills, MI

1972       Selections, Larry Aldrich Museum, Ridgefield, CT

1971       Lyrical Abstraction, Whitney Museum of American Art, New York, NY

1971       Paintings of the Sixties, Tyler Museum of Art, Tyler, TX

1971       Projected Art: Artists at Work, Finch Art Museum, New York, NY

1970       Recent Acquisitions of the Michener Collection, University of Texas, Austin, TX

1970       Lyrical Abstraction, Phoenix Art Museum, Phoenix, AZ

1970       Contemporary Art 1970, Kansas State University, Manhattan, KS

1970       Highlights,1969-70, Lyrical Abstraction, Larry Aldrich Museum, Ridgefield, CT

1969       Allan Stone Gallery, New York, NY

1967       Chase Manhattan Bank, New York, NY

BIBLIOGRAPHY
2013      Webster, Camilla, New York Natives, Because it Matters: Is it Convincing?, November 6

2012      Lalitamba, cover reproduction “Dowager,” Homolka, Florence, Interview with Pat Lipsky,
pg. 123—133

2011      Modern Painter, “Ins and Outs,” Gallery Hops, September, pg. 11

2011      Armstrong, Tom, “A Singular Vision,” The Quantuck Lane Press, pg. 198, 205, 213

2011      Bradbury, Dominic (photographs), Frances, Scott (text), “Light and Sound,” House and Garden, April, p. 151

2010      Giovanni, Joseph, “In the Garden,” Architectural Digest, October, p. 101

2009      Riley, II, Charles A., “Art at Lincoln Center: The Public Art and List Print and Poster Collections,” April, p. 198

2009      Goodrich, John, “Gallery Beat,” City Arts, NY Press, July 29, pg. 9

2009      “Highlights” Pat Lipsky, AAP, Cornell, Architecture Art Planning, News 06, Spring, pg. 23

2009       Swartz-Turfle, Harry, “When Beauty is Enough,” Daily Gusto, Feb 4

2008      “Goings on About Town,” The New Yorker, July 7, p. 8

2008      Halasz, Piri, “From the Mayor’s Doorstep, No. 79” (June/July, 2008) p. 45-46

2008      Kunitz, Daniel, “The Grab-Bag Anthology,” The New York Sun, June 5, pg. 17

2008      Rosenberg, Karen, “Where Have All the Paintings Gone? To the National Academy,” The New York Times, May 30, pg. E4

2007      Fraser Jenkins, David, Seeing Color, Lipsky and PiperThe British Journal of Stained Glass, December, p 95-102

2007      Wilkin, Karen, Pat Lipsky at Elizabeth HarrisArt in America, March, p. 170

2006      Cohen, David, “Afterlife of an Ideal,” The New York Sun, June 29, pg. 16

2006      Halasz, Piri, “Deserted Playing Field, No. 69” (15 July) Supplement to the deluxe print edition

2005      Perry, Vicky, “Abstract Painting, Concepts and Techniques,” Watson Guptill, pgs 15, 58, 82

2005      Raven, Ann, “A Landscape in the Abstract Shapes Its Dwelling,” The New York Times, June 16, F6

2005      Qualls, Larry, “Between the Sheets,” Art on Paper, May/June, pg. 16

2005      Westfall, Stephen, “Review of Exhibitions,” Art in America, February

2004      Halasz, Piri, “From the Mayor’s Doorstep, No. 56” (15 October, 2004) Supplement to the deluxe print edition

2004      Cohen, David, The New York Sun, September 23

2003      Johnson, Ken, “Art in Review,” The New York Times, April 4, D4

2003      Johnson, Ken, “Last Chance,” The New York Times, April 11, D8

2003      “Goings on About Town,” The New Yorker, April 14, p. 16

2003      Wilkin, Karen, “Anywhere In Between,” The New Criterion, June 2003

2003      Wilkin, Karen, “Formalist Investigations of Medieval Forms: Pat Lipsky and the Spirit of Color,” PAJ Journal, 73, January, pp. 61-69

2002      Rothschild, Jo Ann, “Pat Lipsky’s Recent Abstractions,” Art New England, Feb/March, pp. 20-21

2001      Zimmerman, Mark, “The Stillness of Painting,” PAJ, no. 69, September, pp. 71-73

2001      Wilkin, Karen, “At the Galleries,” The Partisan Review, Spring, 2, pp. 285-288

2001      Halasz, Piri, From the Mayor’s Doorstep, piri.home.mindspring.com, p. 10

2001      Snow, Erica, NY ARTS, March, p.71

2001      Walentini, Joseph, Abstract Art Online, vol. 111, #6, February, pp.  1-3

2001      Goodrich, John, “Pat Lipsky,” ReviewNY.com, February 15

2000      Wilkin, Karen, At the Galleries, Partisan Review, Winter, 1, pp. 146-148

1999      D’Souza, Aruna, Review of Exhibitions, Art in America, December, p. 111

1999      Walentini, Joseph, Artist Profile, Abstract Art online, November, pp. 1-3

1999      Halasz, Piri, From the Mayors Doorstep, NY ARTS, October, p. 19

1999      Goings on About Town, The New Yorker, October 4, p. 22

1999      Walentini, Joseph, Gallery Views/Chelsea, Abstract Art Online, October

1999      Johnson, Ken, Art Guide, The New York Times, September 17, E37

1999      Hanks, Victoria, Studio Visit with Pat Lipsky, NY ARTS, September, vol. 4, no. 8, p. 55

1999      Coleman, Janet, An Interview with Pat Lipsky and Ted Wiprud, WBAI Radio, February

1997      Wilkin, Karen, Pat Lipsky: The Black Paintings, 1993-1997, catalogue essay, Lori Bookstein Fine Art, August

1997      Halasz, Piri, Ph.D., “A Gathering of the Tribes,” From the Mayors Doorstep No. 6B

1997      Coleman, Janet, An Interview with Pat Lipsky, WBAI Radio, May

1996      Wilkin, Karen, At the Galleries, Partisan Review, Fall

1996      Smith, Roberta, Across Cultural Bounds, The New York Times, August 2

1994      Bernstein, Charles, “Pat Lipsky Sutton,” Art Papers, Volume 18, July/August

1994      Damian, Carol, Coral Gables, Artnews, May

1994      Turner, Elisa, “Diamonds and Other Gems,” The Miami Herald, January 14

1993      Crum, Katherine, “Pat Lipsky Sutton and the Challenge of Formalism,”Womans Art Journal, vol 14

1993      Karlins, N.L, “Pat Lipsky Sutton’s Resounding Rectangles,” The Westsider, October 24

1991      Rosoff, Patricia, “Pat Sutton,” Arts Magazine, Summer

1990      A Local Accent, Hartford Courant, D17, September 24

1990      North Shore Sensibility, Architectural Digest, July

1989      Art Scene, Switch (Japan), November

1989      Berkman, Meredith. Family Plot, New York Magazine, October 16

1988      Ahlander, Leslie Judd, “Bold New Still Lifes Stun and Fascinate,” Miami News, April 15

1987      Damsker, Matt, “Dynamic Duo,” Hartford Courant, May 24

1987      Damsker, Matt, “Works Cap,” Hartford Courant, May 21

1986      Hanson, Bernard, Works of Art School Faculty, Hartford Courant, November 16

1986      Langford, Sandra, Report From VCCA, Authors Guild Bulletin, Fall

1986      Hanson, Bernard, Five Galleries at Aetna, Hartford Courant, June 1

1983      Art Fundamentals – Theory and Practice, Octivick

1982      Trends and Testimonies of Contemporary Art, Accademia, Italia

1982      Monteverdi, Mario, The History of International Art

1980      Frackman, Noel, and Thornton Willis, Arts Magazine, November

1977      Bell, Linda, Reviews, Arts Magazine, January

1976      Frank, Peter, Reviews, ARTnews, December

1976      Kramer, Hilton, Reviews, The New York Times, October 29

1976      Glueck, Grace, Art People, The New York Times, September 17

1976      Siegel, Judy, “Wither Painting? Artists Talk on Art,” Women Artists Newsletter, April

1976      Frackman, Noel, “Pat Lipsky Sutton,” Arts Magazine, January

1975      Wooster, Anne S, Reviews, ARTnews, September

1975      Siegel, Jeanne, Reviews, Art in America, September

1975      Hodgson, Moira, Interview with Pat Lipsky, The Soho Weekly News, July 10

1974      Whee, Kim, “A Personal Definition of Pictorial Space,” Arts Magazine, November

1974      Bell, Jane, Reviews, Arts Magazine, May

1974      Siegel, Jeanne, Reviews and Previews, ARTnews, April

1974      Mellow, James R, “Two Shows Brighten Soho Scene,” The New York Times, March 2

1974      Bowling, Frank, “A Modest Proposal,” Arts Magazine, February

1973      Smith, Alvin, “New York Letter,” Art International, The Lugano Review, October

1972      Hess, Thomas, “Thick Paint and Hofmann,” New York Magazine, December 18

1972      Reviews, Art in America, October

1972      Siegel, Jeanne, Reviews and Previews, ARTnews, October

1971      Willis, Domingo, “Color Abstraction,” Arts Magazine, January

1970      Exhibitions Contemporary Art 1970, Kansas State University Press, Manhattan, KS

1970      Reviews and Previews, ARTnews, September

1970      Pat Lipsky at Emmerich, Arts Magazine, Summer

1970      Kramer, Hilton, “Two Interesting Talents Make Debut,” The New York Times, June 13

1969      Aldrich, Larry, “Young Lyrical Painters,” Art in America

LECTURES, INTERVIEWS, WRITING
2014      Art Students League, Winter Lecture Series, What Happened to the Art World?, January 7

2013      Art in America, Letters, Greenberg Vs Krauss, Letter to the Editor, October, pg. 20

2013      New York Natives, Native Icon, Pat Lipsky: Unrepentant Abstract Painter, video interview, September

2013      LineaInterview with Pat Lipsky, Ira Goldberg, June

2013      LineaThe Studio Project, Stephanie Cassidy, April

2012      Hanji Seminar, lecture on materials, Korean American Association, New York, June

2012       Lalitamba #5, An Interview with Pat Lipsky, Homolka, Florence, pg. 123-133

2011      ARTBEAT, What Tony, Lee and Clem Told Me, March, Issue 6, pg. 30

2010      The East Hampton Star, “The Last Act,” fiction by Pat Lipsky, June 10th

2009      New York Studio School, Spring Lecture Series, Feb. 3, The Right Color

2007      Sherwin, Brian, Art Space Talk: Pat LipskyMyArtsSpace Blog, September 6

2002      Morris Louis, video by Robert Pierce, Robert Pierce Productions

1999      Coleman, Janet, “An Interview with Pat Lipsky and Ted Wiprud,” WBAI Radio, February

1997      Coleman, Janet, “An Interview with Pat Lipsky,” WBAI Radio, May

1984      The Importance of Taste in Art, panel discussion, with Clement Greenberg, New York University

HONORS & AWARDS
2008      Pollock Krasner Foundation Grant

2008      Edwin Palmer Memorial Prize, National Academy Museum

2004      Lincoln Center Prints Program, Silk Screen Poster and Print Edition, Keyboard Variations

2001      Purchase Prize, Hassam Speicher Betts Funds, American Academy and Institute of Arts and Letters

2000      Krasner-Pollock Foundation Grant

1999      Adolph and Esther Gottlieb Individual Support Grant

1999       Jerome Foundation, Dark Love

1998      New York Foundation for the Arts, Dark Love

1998      New York State Council on the Arts, Dark Love

1997      Dictionary of International Biography

1996      New York Foundation, Painting in Ireland, Tyrone Guthrie Centre, Co Monaghan, Ireland

1993      Virginia Center for the Creative Arts

1992      New York Foundation for the Arts, Painting in France

1992      Winsor & Newton Paint Company, Painting in France

1991      Coffin Grant, University of Hartford

1989      Two Thousand Notable American Women

TEACHING
2010-       Instructor, Art Students League

1997         Visiting Artist, Chautauqua Institution, Chautauqua, New York

1990         Instructor, Parsons School of Design, New York

1983-02     Associate Professor, Hartford Art School, University of Hartford

1982-83    Instructor, Parsons School of Design, New York

1980-81    Instructor, State University of New York, Purchase

1974          Visiting Artist, San Francisco Art Institute, San Francisco

1972-73    Instructor, Hunter College, New York

1968-69    Instructor, Farleigh Dickinson University, Teaneck, New Jersey